By the time mumbaikar When the film gets where it wants to be through a twisty third act, we begin to see how much better the film could have been.
But it’s almost too little, too late, Mayur Sanap complains.

When a feared gangster’s son is kidnapped by a poorly thought out plan, the gangster is forced to cooperate with the kidnapper, setting off a chain of domino effects and wreaking havoc.

The kidnapper is Munna (Vijay Sethupathi), an expatriate who comes to Mumbai with dreams of becoming a don.

“Mumbai meri jaan, main aa gaya,’ explains Sethupathi in his opening photo. The Tamil actor makes his Hindi film debut in ‘Santosh Sivan’. mumbaikara remake of the 2017 Tamil hit Maanagaram; He made his Hindi OTT debut in Raj-DK’s a few weeks ago Farzi.

With the Maximum City as the center of the action, mumbaikar is a mixture of several stories surrounding the botched kidnapping.

It culminates in the stories of a new job seeker in town (Hridhu Haroon), the perceptive HR manager who helps him (Tanya Maniktala), her hot-tempered but kind-hearted one-sided lover (Vikrant Massey), a sly policeman (Sachin Khedekar) and aam-aadmi Driver (Sanjay Mishra).

Something goes wrong in their respective stories, and somehow these characters’ paths cross with a gangster (Ranvir Shorey) who will spare no one until he finds his son.

Based on a script by Himanshu Singh and Amit Joshi, Sivan initially builds the plot up pretty well until the main story becomes implausible due to too many characters. The plot gets more and more complicated as time goes by.

It doesn’t help that viewers feel little to no emotional connection to these characters.

Sivan never manages to strike the balance between a dark, comedic tone and a gritty thriller, and the film suffers badly as a result.

Mumbai has long been a magnet for filmmakers looking to direct their stories.

From underworld sagas and action thrillers to romantic comedies and slice-of-life dramas, the megapolis and its many facets have been portrayed on celluloid many, many times.

But Sivan, who also directed this film, fails to capture the essence of the city. Apart from the opening montage of famous Mumbai landmarks and Mumbaiyya Despite cursing (lots of it!), the town doesn’t fit into the story like it should have.

Parts of it work because of the talent of its cast.

After his solid turn FarziSethupathi uses his impressive talent as a goofy Munna.

His deadpan looks and dry humor are reminiscent of his villainous nature master (2021), minus the violence.

See him in a hilarious scene engaging in cinematic dialogue in front of a mirror with cropped images of Amitabh Bachchan, Rajinikanth, Mohanlal and Marlon Brando.

However, as the plot progresses, Sethupathi’s portrayal begins to feel contrived as his character is severely undermined due to the uninspired writing. A talent like his deserved better.

Vikrant Massey suffers from the same problem. The other characters aren’t fleshed out either.

By the time, mumbaikar When the film gets where it really wants to be through a twisting, revealing third act, we begin to see how much better the film could have been. But it’s almost too little, too late.

mumbaikar Stream on Jio Cinema.

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