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Tufan Review – Movies Rediff.com

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Tufan Review – Movies Rediff.com

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Despite all his faults, I was consumed by him. Tufan and the intensity with which Rakeish Omprakash Mehra fills it for the most part, notes Sukanya Verma.

The world is his ring, and everyone is a punching bag. But when life hits hard on a bully turned boxer and then a regular Joe, he must make a choice: accept his fate or rise to the challenge.

There is always a choice, the wise muse conveys it, which forms the basis Tufanan emotional journey from playing for the sake of respect for the one he loves, to showing respect for the one he loves.

Tufanthe mood would have been much better if the film hadn’t been so trite in its optimism or objections.

The loser of Rakesh Omprakash Mehra, a “meeting of love” sports drama in times of bigotry, a theme masterfully explored in Anurag Kashyap’s novel. Mukkabaazfollows a formulaic approach to combining athleticism and social conflict.

Screenplay and screenplay work by Anjum Rajabali (additional contribution by Vijay Maurya), Tufan wants to do right with the marginalized, but walks in such tediously familiar territory that I just waited for him to live up to his promise.

Instead, there is a flurry of stereotypes reminiscent of vintage Bollywood. masalas is a sleazy thug (Farhan Akhtar) who adores orphans in the Robin Hood tradition, a sidekick (Hussein Dalal) who exists solely to cheer or chide our indomitable hero, a sweet encounter with a serious doctor (Mrunal Thakur) tending his wounds, sympathetic a middle-aged nurse (Supriya Pathak), a gangster father (Vijay Raaz) to whom he is indebted for saving him from trash, and a grumpy old coach (Paresh Rawal) whose “no” is bound to change. in “yes”.;

Dongri boy Aziz Ali aka Aju Bhai (Akhtar) is a resident bully who squanders the rhythmic qualities of his fists to extort money. hafta for the local crime boss.

But Aziz’s dazzling journey into the world of boxing ignites something inside Aziz.

He wants trust.

BUT kaccha limbu (newbie) with great brute strength, albeit little technique, Aziz does not miss the opportunity to improve.

Under the guidance of Ananya, the friendly doctor he has a crush on (Thakur), and boxing trainer Nana Prabhu (Rawal), and unbeknownst to her stubborn father, Galli Ali (there’s even a rap added by Dub Sharma) goes into adrenaline pumping mode. complete with a stunning Shankar-Ehsaan-Loy score and Jay Oza’s slick practice montages.

Despite the splendor, Aziz’s moment of triumph is unrealistically stress-free.

Tufan more attentive to obstacles outside the ring.

Aziz and Ananya may not care about their interfaith romance, but her father’s thinly veiled Islamophobia of chanting Jai Hanuman rears its ugly head as soon as he learns of their relationship.

Despite all his moral virtues, which outweigh his love of the game, his prejudice while participating in a debate between liberals and fanatics with his best friend (the sensible Mohan Agashe), Nana is committed to an ideology of hatred. The loss of his wife in the bombing seems to have heightened his anxiety about a certain community.

It’s only when Tufan views on his ugly prejudices and the difficulties of living together for Aziz-Ananyi, which have been common since the time of Mani Ratnam. Bombaythings get slightly interesting.

Just as Mehra establishes the disturbing nature of the Hindu-Muslim division on an intimate level, Tufan distracted by his boxing duties and immersed in Sultan-like return mode. Mehra also appears in several scenes at this point.

Now I’m as happy as the next guy to see more of Farhan’s undulating torso and extensive training against Shankar-Ehsaan-Loy’s powerful soundtrack. But it’s completely unnatural Tufan casts vicious villains, ferocious adversaries, and scornful detractors in its third act to highlight additional thorns in its rapidly growing martyr’s crown.

What is most frustrating is the way of reconciliation, which assumes that the only way to coexist is the loyalty of the minority to the faith of the majority.

Between his sudden attack bhajas and a cheesy sequence of prayers affirming Amar Akbar Anthony secularism brand, Tufanconfusing politics is all that comes to the fore.

Despite all these flaws, I was consumed Tufan and the intensity that Mehra fills him with for the most part.

It doesn’t break anything new in the outsider narrative and fits the bill, but the commitment to its cast doesn’t allow one to ignore what’s unfolding.

Farhan Akhtar has engineering precision in his images and their physical form. Like Ali, he is in good shape, strong and all that. But he is also uptight and impatient, which makes him constantly irresistible.

If Farhan TufanMrunal is like a breeze.

Playful and enjoyable, all of her scenes are my favorite part of the movie, magically uplifting her perky air.

Despite the fact that there is almost two decades of age difference between her and Farhan, the poise and strength she exudes makes it easy to believe that she has the power to change anyone’s life.

And then there’s Paresh Rawal, who sounds shockingly authentic, closer to his personal political beliefs. He says the most profound things about boxing and deplorable things about people, showing the man at his best and worst. He finds a balance between his art and politics.

Toofaan is streaming on Amazon Prime Video.

Rediff Rating:

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