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Rashmi Rocket Review – Movies Rediff.com

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Rashmi Rocket Review – Movies Rediff.com

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Rashmi Rocket suffering from overcrowding.
According to Deepti Patvardhan, for almost two hours, he hints at too many problems without delving into any.

In a recent interview, Rashmi Rocket Director Akarsh Kurana said, “As a viewer, I have always loved court dramas, mature romances, and sports films… This film gave me a unique and exciting opportunity to work on something that has all of these elements. ‘ It is right.

Rashmi Rocketwhich airs on ZEE5 on October 15, is supremely undecided on whether it wants to be a sports film, a romance film, or a courtroom drama.

It begins as the story of Rashmi Veera (Taapsee Pannu), a small town girl with the gift of running fast. Rashmi buries his athletic ambitions for personal reasons and instead follows in his father’s footsteps to become a tour guide in the Rann of Kutch.

Despite living in a patriarchal society, the women in her hometown of Bhuj are independent and powerful. No more than her mother Bhanuben (played by Supriya Pathak).

Army Captain Gagan Thakur (Priyanshu Painyuli), himself a former athlete, helps her correct her course and get back on the track. The 13 years of training she has lost are being discounted and the Rashmi Rocket is bursting into national recognition at record speed.

She is soon laying tracks all over the country and throwing her signature Usain Bolt-style celebration to complete the victories.

At his first international competition called “Asian Games” Rashmi Rocket wins three medals. This is where problems start to brew. Her sudden upsurge leaves her open to exploration.

Rashmi is called in for gender testing, a topic that is widely criticized around the world. The test, which basically states that her testosterone level is higher than the internationally set limit for female athletes, is used to eliminate her from the national team.

After a media litigation, Ishith’s lawyer (Abhishek Bannerjee) convinces her to take the Indian Athletics Association to court.

The story is loosely based on Duty Chand’s court case, which, like the movie, took place in 2014. Chand challenged the ban and sued the Indian Athletics Federation and the IAAF worldwide.

Over the years, “gender testing” has been banned by many sports organizations because it is seen as an insult not only to the honesty of the players, but also to their personality.

The IAAF still has a simplified version and has banned female athletes, most famously Caster Semenya of South Africa, with higher testosterone levels from competing in the 400m, 800m and 1500m.

This is a burning issue in sports and has not yet been explored in a Bollywood film.

But Rashmi Rocket suffering from overcrowding. For almost two hours, he hints at too many issues at once without delving into any of them.

Any problem you can think of, from the stereotypical wearing of jeans and a tank top to riding Pannu’s motorcycle like “Launda‘to domestic violence to urban trespassing’ – gets a mention. The social commentary doesn’t stop there.

While we are already scratching our heads over the “gender testing” scandal that Rashmi has been embroiled in, we find out that she is pregnant. And then there is another problem with the fact that athletes cope with pregnancy by competing during and after it.

The film suffers from lack of attention. Just as Rashmi’s transformation from little-known talent to gold medal winner ends with a few montages, the court case quickly leads to a positive verdict.

The key to any great court drama is dialogue: a tug-of-war between right and wrong, grandiose opening statements and grandiose closing arguments. None of that is here.

The writers didn’t give enough space to gather an argument, create tension, allow contemplation. There’s also no uplifting, well-crafted moment of sporty brilliance for you to grab onto.

As the storyline jumps from one topic to another, the location jumps from the vast white expanse of Rann to the training ground in Pune and to the sandy beaches of Mumbai. What gives viewers a sense of continuity and fit is Pannu and her fantastic crown of hair.

All the hard work that Pannu has put into creating the sprinter’s strong, muscular body is evident. But where she excels is in Rashmi’s weaker moments. Specifically, the scene where she is pulled into an unknown ordeal right after the biggest win of her career.

Young athletes across the country and across sports are vulnerable, especially when they don’t have high-profile mentors, and she perfectly portrays confusion and helplessness.

The film benefits from a confident cast. While none of the characters other than Pannu are developed very well, the actors do their bit to give it more nuance. Particularly underutilized, Supriya Pathak is as reliable as ever and shines as a strong community leader and disciplinarian.

For casual sports fans who may not be aware of the Duty Chand case and the issue of hypoandrogenism in sports, Rashmi Rocket is a good starting point. But the film lacks depth and depth.

It has been a year of tremendous growth in the sport. The pandemic has exacerbated divisions, with sports stars becoming advocates and activists for social change and destigmatizing the mental health issue.

As athletes push the limits of their influence, Rashmi Rocket is politically correct, but not informative.

Rashmi Rocket is streaming on ZEE5.

Rediff Rating:

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