Home Movies November Story Review – Movies Rediff.com

November Story Review – Movies Rediff.com

November Story Review – Movies Rediff.com


There are too many flaws to ignore, but november story “It’s definitely a disposable watch,” Pratik Sur says.

november story is one of the few Indian web shows in recent times that evokes a sense of intrigue.

A popular crime writer who suffered from Alzheimer’s disease in the last years of his life is found at the scene of the murder.

Because he doesn’t remember anything, his daughter must learn the truth about the murder before the police frame her father for the murder.

Is the father to blame?

Will the daughter find the real killer?

Can the police catch the killer before the daughter saves her father?

Despite this interesting premise, the webshow fails in many ways when it comes to logic.

There are scenes where Tamanna’s daughter Anuradha tries to sell her father’s ancestral home without his consent.

She knows that without her father’s signature, the property will not be sold. Despite this, she continues to show the house to potential buyers, only to be left hanging by a thread in the registry office as her father never shows up.

Tamanna’s performance is quite powerful and very different from what we’ve seen before.

She is no longer the playful, pretty girl next door.

Tamanna’s expression perfectly captures the tension and anguish of a girl whose father is losing his memory day by day and yet is unwilling to sell the ancestral property that could give them the necessary funds for his treatment.

Writer/director Indra Subramanian has done something new.

It’s a good decision to start every episode with a black and white cut scene showing the childhood of Mr. Yesu (Pasupathia). He has his own demons and is still trying to help the police catch the killer.

Pashupati has come up with a gem of a performance, but Indra gives him limited screen space in the opening episodes, and we’re left wondering why. Ironically, by the second half of the webshow, you see him so often that you’re left wondering where Tamannaah has gone!

It is this haphazard writing, without any linearity to the story, that brings down a potentially great plot.

G. M. Kumar, as Ganeshan, the popular detective novelist and father around whom the whole story revolves, is perfectly present on the screen. But there was no need to show him as a writer of crime novels, since this does not affect the story as much as it should. The mere fact that he was a father with memory loss who happened to be in the wrong place at the wrong time could be enough for his character.

If the makers really wanted to bring the crime novel to the table, a lot more of that needed to be included in the script.

The story is predictable after a certain point, and if you regularly watch crime thrillers or murder mysteries, you’ll have a clear idea of ​​who the killer is long before the climax starts to unfold.

What I really liked was the comic relief that Aruldoss brings to the cop character.

It wouldn’t be the ideal way to conduct a normal police investigation, but I liked the way he uses sarcasm and innuendo to kill his colleagues and other people with words.

Vidhu Ayanna’s cinematography is to be applauded as it maintains that dark setting and crime scene effect throughout the webshow.

The script is the weak point of the whole project, and it could be much tougher.

If only it were better written november story could be a potential winner.

Unfortunately, there are too many flaws to ignore. But it’s definitely a disposable watch.

Rediff Rating:


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