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Mimi Review – Movies Rediff.com

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Mimi Review – Movies Rediff.com

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Kriti makes you smile and cry during her unexpected journey, notes Sukanya Verma.

I’m wary of unconventional-sounding stories. They are usually the biggest distributors of stereotypes.

On the surface, Mimi it seems to be about a strong, courageous single mother defying social norms to raise a surrogate child on her own, but what it really says is that a woman’s ultimate satisfaction depends on motherhood.

This is an important role, no question.

But in Mimi this is the only character she is allowed to play, which is ironic considering the main character is an aspiring actress.

Her celluloid dreams are nipped in the bud to become a mother.

Even her name, which sounds like Mom from the mouth of a lisping child, subtly reinforces the thought.

Sublime choice and moral flexibility are regularly shown in the flow of feelings.

And earlier, the controversial topic of surrogate motherhood became the subject of melodramas like Dusri Dulkhan, Chori Chori Chupke Chupke, Filhaal and a Marathi movie Mala Aai Vhaichi! — of which Laxman Utekar Mimi is an official remake in which the emphasis on the emotional consequences took precedence over the legal or medical aspects of such arrangements.

Mimi done away with water stations that prevent a couple from conceiving a child, and moves on to an American couple (Evelyn Edwards, Aidan Whiteock) buying a womb in the small town of Rajasthan.

“It’s a factory,” the woman chuckles after the merchant’s phone call.

The inconvenient truth in her words is never trampled on, instead we are treated to the folk position number AR Rahman.

Impressed by the brilliant moves of local dancer Mimi (Kriti Sanon), the Caucasian duo offer a paid pregnancy, for which she receives a generous reward, and multi-purpose driver Pankaj Tripathi, a broker’s fee. Mimi’s best friend, the solid Sai Tamhankar, unconditionally supports her and the film.

Finishing the furniture takes more time and thought than this, but in Mimi’s comfortable universe, where the only way to explain surrogacy is through the analogy of a sugar cane and a barren field, the parents (Supriya Pathak, Manoj Pahwa) dress up like Rajasthani dolls and the Muslim is synonymous with every Bollywood stereotype. did you ever know – nothing comes as a surprise.

Just for the obstacle Mimi adds the complication that the unborn leaves the mother to volunteer for all the upbringing.

I would respect this sudden plot twist if Mimi had the courage to own it and not use it as a cheap plot device that he doesn’t intend to respect.

But just like her pregnancy montage, her frustration is also captured in Rahman’s lyrical melody.

Rahman’s songs are filled with soul, especially Rihai De what sounds like Rank De BasantiX Tu Bin Bataye drenched in Enya and elevating the routine of the film to deep work.

Mimi’s wisdom and maternal instincts are as difficult to digest as it is easy to believe in her concern for her ideal figure.

How to untwisted her ‘Devaki bhi tum Yashodha bhi tum‘, Mimi’s mom’s face only appears when she is threatened or defensive. It was never a natural extension of her personality. Her so-called struggles in society are never felt, nor any recollection of her ambitions.

Pankaj Tripathi has the gift of weight, which comes in handy when he needs to demonstrate his decency and humanity as the person standing next to Mimi.

Foreigners get the short end of the stick but seem quite adept at Hindi film school. Ron Don.

Despite vague characterizations and simple conclusions from confusing situations, Mimi points in Kriti Sanon. The actress wholeheartedly transforms into a picture of ambition and affection.

Finding joy in the inexplicable with a proud heart above her head, Kriti makes you smile and cry during her unexpected journey.

Mimi wants to make a mother out of her. What I saw is the birth of an artist.

Mimi is streaming on Netflix.

Rediff Rating:

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