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Feels Like Ishq Review – Movies Rediff.com

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Feels Like Ishq Review – Movies Rediff.com

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At the end of six stories Feels like Ishk bumpy but watchable, says Sukanya Verma.

Feels like Ishk evokes modern love.

It lacks the scope and emotion of a romantic anthology comedy inspired by New York Times a weekly column created by readers, but it captures the idea of ​​a magical bond between two people in six laid-back half-hour episodes.

Given the overkill in the anthology format lately, it’s a bit of a relief that Feels like Ishk more like a collection of individual shorts cataloged under a general heading.

Most of these odes of fluke are set in a post-pandemic universe where the protagonists are young, social media addicts smitten with good old-fashioned sparks.

Save the day(s) those
Directed by: Ruchir Arun
Screenwriter: Monisha Tyagarajan

Radhika Madan and Amol Parashar begin the process against Bollywood’s favorite backdrop – Shaadi.

Finding her best friend and bride-to-be AWOL hours before her lavish wedding in Goa, Madan traces where those cold feet must have taken her with some help from a helpful wedding planner (Parashar).

During their search in a posh vintage Impala, the duo find several pranksters and also peek at each other.

It’s full of beans. He is calm and cynical.

I have crazy money; she keeps reminding him, sipping tequila at every opportunity.

Marriages are not made in heaven, he notes, as the classic by-product of a bitter marital union, and yet he chooses the same means to make a living.

While these scenes are as predictable as Goa’s landmarks, the mood is fun and boisterous.

Radhika Madan and her energy Elaine Benesk are wonderfully complemented by Parashara’s perfectly timed witticisms.

There is no depth, but the charm and chemistry are in moderation.

quarantine love
Directed by: Tahira Kashyap Kurrana
Screenwriter: Ghazal Dhaliwal

Set in Chandigarh, amid panic over COVID-19 in its earliest stages, a teenage Sardar boy (Mihir Ahuja) preparing for his boards falls in love with a neighbor (Kajol Chu) who shares his love for music.

When he’s not sneaking off his WhatsApp-obsessed mom’s cell phone or getting customer service lessons from his lingerie-selling dad, he’s thinking of ways to get closer to his paranoid man. padosan during social distancing.

Amidst furtive glances, shy smiles, and tons of disinfectant spray, they gather from their terraces and strike up a sweet friendship.

Clumsy, uninhibited fresh faces add authenticity.

But our young man is embarrassed by a little deceit, on which Kashyap’s affectionate narration of awkward, youthful love gently treads. Without making it too obvious, she and writer Dalival convey several important messages about good observation and intent.

Tahira’s secondary friend, Ayushmann Khurrana, shows off his composing and singing prowess alongside Sameer Kaushal and Jonita Gandhi to create an infectious Punjabi melody. Mainu Ki Pata and enrich quarantine lovelove air to a pleasant effect.

star host
Directed by: Anand Tiwari
Screenwriter: Saurabh George Swamy

A teenager (Rohit Saraf), saving up for a trip to see the northern lights, rents out his big house in Mahabaleshwar as a bed and breakfast when his parents are away.

As it happens, the guest from Mumbai is a young woman (Simran Jehani) who decides to come alone after a hard breakup, and he starts off on the wrong foot, but things get better as expected along the way.

She has all sorts of allergies. He forgets to appreciate what he has – a magnificent view of the majestic hills of Maharashtra instead of what he plans to see in Scandinavia.

As they learn the value of the little things in Anand Tiwari’s stage short, hats off to the many Hollywood rom-coms now the subject of sinful pleasures, the rapturous review seems like a natural summing up of their interaction.

She loves me, she doesn’t love me
Directed by: Danish Aslam
Screenwriter: Sulagna Chatterjee

The life of a shy 23-year-old bisexual girl (Sanjita Bhattacharya) from the city of Mumbai is turned upside down the moment she sees a sassy new boss (Saba Azad) in her advertising campaign.

While the latter’s proud, strange mannerisms are inspiring, her sexual preferences don’t make her heart vulnerable, it’s just as complicated and vulnerable as any heterosexual relationship.

It’s a vibrant and charming portrayal of LGBTQ people, and Aslam finds a subtle way to make it all about representation, but still just about two people who get along.

While Saba Azad is a seamless blend of fast-paced and damaged, the real joy is Sanjita Bhattacharya’s sizzle and sincerity as she pours her heart out on camera and shares the details of her gripping romance as if reading nervous feelings in someone’s private diary.

Interview
Directed by: Sachin Kundalkar
Screenwriter: Arati Rawal

A super confident (Zane Marie Khan) job candidate walks into an electronics store and impresses a fellow candidate (Neeraj Madhav) from Kerala with his incredible knowledge and ambition.

Eager to learn the rules from her, they discuss advice over tea.

What follows is perfectly enjoyable and so, SO Bombay.

Maximum recognition of the city and admiration for the accent, mekhnat and potential for rewards’baaki idhar sub ho jaata hai‘ modestly but delightfully highlighted as they watch the giant screen unfold in 3D glasses, where many things seem closer than they really are.

The pure optimism and goodness of Raval’s story, the handling of Kundalkar, the disarming quality of her actors, especially the extraordinary Zane Marie who exudes Mr and Mrs Iyer and the realism of the Ritesh Batra brand is head and shoulders above the rest.

Ishk Mastana
Directed by: Jaydeep Sarkar
Written by: Shubhra Chatterjee, Jadeep Sarkar

There is a good line in Ishk Mastana: “I’m not doing this to change the world. I do it so the world doesn’t change me.”

It’s a shame his ideals can’t live up to his cursory portrayal, as this segment unconvincingly discusses privilege and activism around the lackluster couple.

If Skanda Thakur has the qualities of a poor little rich boy, Suitable boy– Slava Tanya Maniktala continues to look at the world with romanticized eyes.

A protest forming a place for a first date is an interesting premise, but Ishk Mastananamed after the poet Kabir Dohatoo happy in posturing to understand its true virtues.

At the end of six stories Feels like Ishk uneven but watchable.

Like a basket the size of a bite bhuja packages, some more worthy than others, the episodes echo the power of raw charm and spontaneous chemistry.

Feels Like Ishq is streaming on Netflix.

Rediff Rating:

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