bloody brothers watchable, especially in the scenes of the two main actors trying to invent something from the insignificant material provided to them.
Jaydeep Ahlawat, who offers to twist energy and intelligence even when he is completely still, should be India’s best actor in its current form, remarks Srihari Nair.

There are two interesting areas bloody brothersand both have a sketch comedy texture.

In the first stage, Asrani leaves his villa in Ooty and is hit by a car.

At the moment, your curiosity is not the fate of the character, but his makeup.

Asrani plays old man Samuel Alvarez, and you can see that his hair is made up like Agatha Christie and his mustache is like Hercule Poirot.

In a detective novel, to make the victim look partly like the world’s most famous detective writer and partly like her favorite sleuth, I thought it was a scene-worthy touch.

The car that hits Alvarez is driven by Daljit (Mohammed Zeeshan Ayyub) and Jagjit (Jaydeep Ahlawat) with him, and together they are the bloody brothers that make up the name of the show. Not too deep… I know.

The brothers discover that the old man’s pulse has stopped, and there is a bit of comedy in their arguments about how to do the right thing.

Finally, they carry the body back to the old man’s villa and, in the tradition of skits and parodies, carefully place the body on a rocking chair, wrap it in a shawl, and wait for the bell of natural death to ring.

As the show has evolved, I wish it had more of these “associations” and bits of non-verbal humor. Because the text, as a rule, is so flat that it does not tighten.

The characters have no inner life, and therefore the lines they speak are mere expositions.

Over and over you can imagine one character whispering to another, “I know I’m telling you what you already know.” But the audience doesn’t know that, so bear with me.”

If clumsy dialogue wasn’t enough, director Shaad Ali cuts dialogue after dialogue so nothing feels alive and the actors, instead of doing something groundbreaking with lines, are forced to worry about maintaining continuity.

By the end of the shots, there is no real perception, and at best we get plot twists (every episode ends with one, and the season itself ends with an impending cliffhanger).

The two main actors, who often make their lines perform better than they read on the page, pretty much save the show.

Jaydeep Ahlawat makes eye contact and Mohammed Zeeshan Ayub looks away, and together they make it a non-verbal routine that pushes the boundaries of their characters.

From time to time they rise to one of the explanatory dialogues, introducing unexpected punctuation marks, slowing down, snorting or laughing in the middle of the correspondence.

Mohammed Zeeshan Ayyub, I think grew up to be a fan of Shah Rukh Khan and then got smaller. masala-struck. And this, if you think about it, is also Shah Rukh Khan’s journey in reverse.

Zeeshan Ayub is so compelling in this and other roles because his acting approach, while unorthodox, blends so well with conventional instincts.

As a character, Daljeet, who goes to parties dressed as an old world poet, is so simple-minded that our Twitter commentators will seem smart to him.

The trick is in bloody brothers is that when playing against his simple-minded lawyer brother Jagjit, he must appear cunning and cunning.

Since the script doesn’t help much, the show’s creators should consider it a blessing that Jagjit is played by Jaydeep Ahlawat, who offers a roar of energy and intelligence even when he’s completely still.

Now that an actor has achieved this ideal, you can be sure that he is in the shape of his life and Ahlawat should be India’s best actor in current shape.

Here, in the words of the old cinephile, you can catch him smiling with his back to the camera.

I especially liked the episodes of Ahlavat with Maya Alakh (claiming to be a compassionate witch), where they cling to each other’s throats, like two street boys trying to protect their territory.

Otherwise, in this universe where one neatly leads to the other and everyone fools everyone else, all we get are cases of the writers throwing up simple coincidences and Shaad Ali guides them with “highlighted shots” – also called “layouts”. point throws.

Small talk stays like this: it doesn’t have a touch of clumsy speech or overlapping dialogue.

This pattern continues until Satish Kaushik appears on stage with trembling jaws and cuts everyone off.

Kaushik plays the self-glorifying monster Handu.saabwho speaks as if to himself, and speaks exclusively in fables and empty verse, and whose minions are just as oblique and obscure.

And therein lies the real problem with the show.

For a crime story to work, there must be a sense of a life broken by crime and everyday scenes in bloody brothersbehavioral scenes, as they are called, are too minor for us to care about their inevitable disturbances.

It’s as if Shaad Ali’s imagination has no respect for the ordinary, as if his cell needs something out of the ordinary to feel upbeat.

Also, it doesn’t help that a significant section is dedicated to the bumbling detective played by Jitendra Joshi.

Joshi is supposed to be a heavy drinker, but he calculates his character’s slovenliness so well in advance that the performance turns into a number. In truth, he should have spoken to you with the frankness of recognition.

Again, you can do the same for the entire show.

Maybe it’s an ode to Ooty weather, but bloody brothers fogs precisely at those moments when it should be transparent and open.

Love scenes, for example, lack the warmth that often comes with them when they seem to be taken from life and kind of improvised. The lovemaking here seems to be set to the soundtrack.

However, I liked the way the Shruti Seth character looked at Mugdha Godse, with the right mixture of anguish and fear, and I accepted these episodes with the gratitude of a man who received an occasional favor.

But if you’re looking for critical solace, let me tell you bloody brothers watchable, especially in the scenes of the two main actors trying to invent something from the insignificant material provided to them.

They don’t quite suggest a story of growing up together. But Ayyub and Ahlawat manage to turn badly written scenes into fun little scenery, such as the one in which the bard Daljit concocts an appropriate couplet for a tense situation, and the realist Jagjit responds with a long sigh. it’s like a different kind of poem.

bloody brothers about these two characters. And yet, what an irony that I spent almost all the time pointing at my screen and saying to myself, “Dude, these two … they certainly deserve a separate show.”

Bloody Brothers airs on ZEE5.

Rediff Rating:



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