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Bhuj: India Pride Review

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Bhuj: India Pride Review

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Bhuj: the pride of India: Pearl Harbor on a dollar store budget, says Sukanya Verma.

Paper planes fly with more confidence than a fleet of VFX planes that glide, bomb, and mindlessly crash into and out of frame. bhuj: Pride of India. What is it like Pearl Harbor on a dollar store budget.

Ajay Devgn’s latest contribution to empty patriotism is inspired by the real events of the 1971 war, when 300 women from a nearby village gathered to rebuild the ruthlessly destroyed airstrips in Bhuj.

The real story has magical features of the Shoemaker and the Elves, but director Abhishek Dudhayi’s sole purpose is to bombard the screen with identical explosions and pace Devgana in slow motion.

Dudhaya, along with Raman Kumar, Ritesh Shah and Pooja Bhavoria, is at the helm of this hodgepodge of script, reminiscent of a hastily compiled collection of chronologically convoluted jingoism. I wonder who is most to blame for such a cruel letter?

Between his yawns causing attacks on Pakistan and blatant Islamophobia ranting about the same old great issue of the Marathas and vile Mughals, unintentional hilarity arises from a dozen exchanges of code words that respond to Anarkali with Akbar Ki Nautanki and the President, who sounds like as if he had swallowed his dentures.

Bhuj: the pride of India has some of the worst lines I’ve ever heard. Musalman vikalang ladki? Malayalam yodhaon ki kaum? Agar Taj Mahal pyar ki nishaani hai toh Hindustan tere baap ki kahani haya? It is enough that such a place as Harami Nala really exists, but repeating it dozens of times is death from laughter.

More than half of this nonsense is devoted to Devgn’s sleepy swagger as Squadron Leader Vijay Karnik, who is pounding a bunch of kedyu dressed people use shield like he’s been watching Steve Rogers too much, ignite time bombs like it’s something Khazar ki ladinapping on the sand during an air attack, washing off his suddenly bloody face and staring into a mirror as if posing for Dabu Ratnani’s yearly calendar, or standing in front of a strategically placed tricolor at every opportunity.

The voice-over tells us about the covert support he gets from informant Sanjay Dutt and mole Nora Fatehi (eyelash patriotism, anyone?).

According to bhuj, joining R&AW is easier than getting a job at McDonalds. If you don’t want to be a butcher, join R&AW. Have a brother to take revenge, join R&AW.

There is a military officer, Sharada Kelkara, and a pilot, Ammi Virk, who fight and fly while Devgn performs his duties. bhakt duties – to pray before the idol of Ganesha, that is.

Dutt’s character, Pagi Ranchhoda Bhai Sawabhai Rabari, has a very long name, but he has nothing to do but look at the footprints in the sand and determine if he is Pakistani or Indian.

In the final showdown between India and Pakistan, Dutt turns into an attention-seeking child on his own trip while the adults talk.

Sonakshi Sinha, showing up after more than half of the 1 hour and 53 minutes runtime, prim and beautiful in her bizarre costumes and ethnic make-up, leads a gang of girls to their actual goal. bhuj. That a woman can kill fake-looking leopards with sickles and fire arrows into effigies of Raavan is enough for Karnik to believe in her ability.

There is no sense of struggle, desperation, or teamwork in the aspiration depicted. Rather, the pretense becomes even more evident when the end credits feature a shot of “Real Women from the Madhapar Village at Bhuj Air Base”.

It was a real story and a moment of real pride.

Rediff Rating:

Presentation: Ashish Narsale/rediff.com

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