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Bhavai Review – Movies Rediff.com

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Bhavai Review – Movies Rediff.com

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If the drama could stand two hours of storytelling, Bhavai would have had a greater impact, says Joginder Tuteja.

Bhavai (previously called Ravan Leela) turns out to be a clever case of the legend about Ramayana integrated into the lives of real characters.

At one time, Manoj Kumar did Kalug Ki Ramayan where an actor (playing Hanuman) descended to earth and mingled with an ordinary person. It was more like a visual-effects-laden affair.

When bhavai, Prateik Gandhi plays Ravan on the stage, although Ram is inside him.

How he brings the two characters together is that Bhavai near.

Director Hardik Gajar needs some time to prepare the scene for the film, which is set in Gujarat.

The timeline is not specifically conveyed in the film to give it a timeless appeal with an almost folkloric setting, but the lack of mobile phones, partial electricity and people earning even 100 rupees suggests that Bhavai not set at the current time.

Like an unemployed son pandit whose inner calling is to become an actor, Prateik is delighted when nautanki mandley‘ led by Rajesh Sharma and owned by Abhimanyu Singh arrives in his village to spend Ram Leela.

All he wants is to play a part, big or small.

He gets his big break playing Ravan.

While he either mesmerizes or shocks the audience as well as his co-stars with his thunderous performance, he also falls in love with Sita on stage (played by Aindrita Rae).

But intolerance brews when organizers, local netas as well as ‘dharmik juntarealizes that on stage Ravan and Sita reciprocate each other’s love.

At first sight, Bhavai has a complex history as the characters on stage are something else, but outside of it there is a different equation.

At the same time, subsequent scenes must organically coincide with each other.

There are hints that convey the real life emotions of the characters through their stage images. But it all plays smoothly, which works well in the film’s favor.

However, one would have expected more tension and urgency in the narrative.

Although the film reaches an all-time high when Prateik transforms into Ravan for the first time and explodes on stage, the pace slows down wherever something happens behind the scenes. Pratik’s family life with his father (Rajendra Gupta), brother and sister-in-law could have been better arranged.

The situation improves every time the film returns to the stage or backstage, but beyond that the level of interest is not properly maintained.

There are too many songs in the film, and while the love songs do well, the same cannot be said for the prayer songs.

Also because of the arrangement of the village, the film looks constrained.

As a performer, Pratik excels every time he dresses up as Ravan.

He seems to have become a completely different character, which shows how well he delimits characteristics.

Aindrita looks very beautiful, and her innocence is good for her. She will play an equal role in the film.

Abhimanyu Singh is fine, although he could have been more menacing.

Rajesh Sharma is as reliable as ever.

Ankur Bhatia, who plays an electrician during the day and Laxman on stage at night, is good.

Rajendra Gupta is melodramatic and Flora Saini (playing Kaikayi) is fair.

The film tries to make a statement about the politics of religion and how some things can never change.

If the drama could stand two hours of storytelling, Bhavai would have had a greater impact.

But it is clear that the director wanted to have a sense of folklore in his narration, and this gives the film a special touch.

Rediff Rating:

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