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Army of the Dead Review

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Army of the Dead Review

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army of the dead floundering with his thoughtless mood and clumsy characteristics, Sukanya Verma notes.

A pair of soldiers driving a top-secret convoy contemplate the delivery while the newlyweds kiss in the car before they collide, resulting in a leak. Against the backdrop of a blue sunset, a godforsaken cargo unleashes a full-blown zombie attack.

Las Vegas, nearby and vulnerable, is the backdrop to bloody, crazy, and brilliant opening credits starring naked dancers, gambling tourists, and carefree locals involved in a carnivorous orgy.

It’s an incredibly sensational prologue that echoes Zack Snyder’s signature style of large-scale, over-the-top, and indulgent filmmaking.

The rest of the movie, while a good two hours, is a mind-bogglingly death-wrapped syllable with nothing new or fun to add to the zombie genre.

You may recall Snyder’s ferocious take on the subject in his 2004 remake of George A. Romero. Dawn of the Dead.

Since then, zombie space has grown by leaps and bounds thanks to the creepy White Walkers in Game of Thrones or a ruthless attack by their ilk in South Korea kingdom row.

Snider army of the dead looks sleek, but mostly just a muzzled version of his once-hypervision.

A city full of zombies on the loose sets the stage for gratuitous gratuitous violence, but by the time the movie starts, which is almost halfway there, it’s too late. Between bad tempo and tired clich├ęs army of the dead never fully recovers.

The sole purpose of a crowded zombie or slasher movie is to increase the number of victims.

The larger the number, the more violent its effect.

Snyder assembles a large group of mercenaries and weirdos, led by the burly Dave Batista, whose mission is to rob a loaded vault right from under the noses of zombies in exchange for a hefty reward from a Japanese casino owner.

Bautista’s estranged daughter (Ella Purnell) insists on accompanying this boring mix. She hopes to save amchi Huma Qureshi does nothing in her fleeting first and last scene as a quarantine sufferer.

As soon as the living enter the club of the undead, a crowd of disgusting predators blocks their path on the left, right and center.

A superior species reigns among them, whose gruesome romance defies the infiltration of human interlopers.

No matter how moderate the political or pandemic significance army of the dead means to imply, wallows in its senseless mood and clumsy characteristics.

There is a severe lack of fear and danger.

Snyder is sometimes blind, as in the scene where the zombie is used to check on the dangerous vault corridor. But there are very few such moments. Too often, the sloppily edited spectacle devolves into unnecessary chatter between father and daughter that does little more than draw our attention to his lackluster writing skills.

If you’re still willing to spend two and a half precious hours on this highly publicized Hollywood hoax, take the time to watch a South Korean TV series. kingdom too much.

They turned zombies into works of art.

Army of the Dead is streaming on Netflix.

Rediff Rating:

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